The Icon of the Resurrection of Christ
By Metropolitan Chrysostomos III of Mani
By Metropolitan Chrysostomos III of Mani
As is known, the Resurrection of Christ is the supreme historical event of Christianity. The Resurrection of Christ is the victory over death and dominion over it. And of course His Resurrection is a natural consequence of His divinity, “because it was not possible for Him to be held by it (death)” (Acts 2:24). Thus, the Resurrection is the foundation of faith in Christ, and the Church is truly the Church of the Resurrection. Day and night the Resurrection is hymned in the life of the Church, and every Sunday in particular is a feast of the Resurrection, a feast of Pascha, “feast of feasts and festival of festivals.” This fact is expressed not only through all hymnography and hymnology, but also through the art of iconography.
Iconographers, because the Resurrection itself is not described by the Evangelists, depicted the Resurrection through various types of images. In particular, in Orthodox iconography we have images that express the event of the Resurrection. One image depicts the moment of Christ’s descent into Hades, and another depicts Peter and John at the empty tomb. We also have the depiction of the Angel who sits on the rolled-away stone of the tomb and speaks to the Myrrhbearing women. Furthermore, concerning the event of the Resurrection, we have the appearance of the Risen Lord to Mary Magdalene with His words: “Do not touch Me” (John 20:17). Finally, there is also the depiction of Christ appearing to another group of Myrrhbearers who worship Him. The image of the Resurrection in which Christ is shown holding a banner, or other such depictions, are purely of Western style.








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