The second homily on Saint Pelagia has traditionally circulated under the name of Saint John Chrysostom and was regarded by Montfaucon as probably genuine. For a long time, however, that judgment rested largely upon a Latin translation, which is itself somewhat free and occasionally inaccurate. The Greek original remained unknown to Montfaucon and was published only later by Franchi de’ Cavalieri from Vaticanus graecus 2033, the manuscript that preserves the text. Franchi undertook a detailed examination of the homily precisely because the Greek original made possible a much more serious judgment about its authorship.
Franchi begins by acknowledging that there are substantial reasons for associating the work with Chrysostom. The homily is brief but well organized, with a clear exordium, narrative, and peroration, and its subject matter and rhetorical manner resemble the first homily on Pelagia. Several expressions, images, and turns of phrase also have close parallels in Chrysostom's unquestionably genuine works. The description of Pelagia as combining the innocence of the dove with the prudence of the serpent, the imagery of the net and the escaped prey, the contrast between the martyr's body and the bodiless devil, the dramatic apostrophe to the devil after Pelagia's leap, and several of the exhortations at the conclusion all have recognizable Chrysostomian parallels







